When Pat Boone covered Little Richard, you think, 'Huh?', he's got no affinity for it. "But you got to look at the individual cases. Sometimes that's good and sometimes it's bad.
Samuel L Jackson on Django Unchained: 'Slavery was perpetuated through fear and intimidation' - video .ukīesides, he adds, the history of entertainment is littered with white guys who told black stories, and white singers who sang black songs. But he gets a little shady when he's taking shots at his colleagues without looking at the work. I mean, I respect Spike, he's a fantastic director. "He didn't like Whoopi Goldberg, he doesn't like Tyler Perry, he doesn't like anybody, I think he's sort of run his course. "The question for me is: where's Spike Lee coming from?" he says. I'm barely through the door when he's returning fire, defending the film for all that he's worth.
"American slavery," he later tweeted, "was not a Sergio Leone spaghetti western." Implicit in his comments is the sense that this is somehow not Tarantino's tale to tell.įoxx has his phone in his hand and his cap on his head, the peak twisted off-centre so that it points to two-o'clock. Director Spike Lee claims the film is "disrespectful to my ancestors" and has refused to see the thing on principle. In recent weeks Django has faced criticism for its use of racist language and its cavalier treatment of explosive material. It also kicks some hornets' nests along the way. The drama bounces from Texas to Mississippi on the cusp of the civil war, effects a shotgun wedding of 60s spaghetti western with 70s "slavesploitation" and douses the magnolia in arterial blood. Directed with gusto by Quentin Tarantino, Django Unchained casts the actor as a black bounty hunter who kills white outlaws and gets paid for his trouble.
0 kommentar(er)
